Für eine Kunst (-wissenschaft) der Komplexität.[1] Birte Kleine-Benne Abstract Mit einer Auswahl an kunst- und medienwissenschaftlichen Fragen (I.), künstlerischen Beispielen (II.), kunsttheoretischen Perspektivverschiebungen und konkreten Vorschlägen für den Kunstbetrieb (III.) sowie
Lisa Moravec, art critic and researcher, thinks about three of the performances that were shown at “A Thousand Masculinities”, the 23th edition of Philosophy Unbound in Vienna, 18th, December 2018. Male
Wed 20 Sep 2017 |“londonunderlondon” by Mark Fisher and Justin Barton |Corsica Studios, London [UK] There is a ghost haunting London. It’s Mark Fisher. “londonunderlondon”, a sonic installation presented at Corsica
von Johanna Montanari „Tu kam zu Me-ti und sagte: Ich will am Kampf der Klasse teilnehmen. Lehre mich. Me-ti sagte: Setz dich. Tu setzte sich und fragte: Wie soll ich
There is a strange feeling that defines the present moment: the sense that everything is speeding up, yet nothing is truly moving forward. Technology becomes more powerful every year, communication










It’s hard to point to a single moment when society became “digital.” There was no switch flipped overnight, no clear before and after. Instead, what we’ve been living through is
The 1996 U.S. presidential election is often remembered for something political analysts called the “gender gap.” Women voted for Bill Clinton over Bob Dole by a wide margin (59% to
Most people roll their eyes when they hear the word “affirmations.” And honestly, that reaction makes sense. A lot of what circulates online feels fake, overly positive, or completely disconnected
There is a strange feeling that defines the present moment: the sense that everything is speeding up, yet nothing is truly moving forward. Technology becomes more powerful every year, communication
It is possible for acts of care to be simultaneously admirable and politically problematic. Caring for others, communities, or democratic processes may improve immediate conditions while still unintentionally sustaining systems
Abstract When humanity faces the possibility of self-destruction, is survival the only meaningful question left? Or should we also ask whether different kinds of “ending” exist—some imposed by a few,